Showing posts with label gambia art. Show all posts
Showing posts with label gambia art. Show all posts

Thursday, August 12, 2010

A Major Tourism Boom Awaits Gambia


The tiny nation of The Gambia—a popular holiday resort for Western tourists, would soon witnessed a dramatic transformation on its tourism industry policies, with the view of restoring tourists and investors confidence, President Yahya Jammeh has declared.
 
Mr. Jammeh believes that tourism is an important sector in the nation’s economy, which accounts for the greater percentage of Gambia’s Gross Domestic Product—known as (GDP). Mr. Jammeh opined that such an important sector needs to be given the attention it deserved in the interest fulfilling the nation’s economic agenda—which is to transform the mini West African state into an economic power in the region.

Thursday, June 3, 2010

The Gambia National Museum

 The Gambia National Museum has as its primary goal the collection and preservation of artifacts documenting the material culture of The Gambia, for use as tourist attractions and as important aids to introducing the value of the heritage into information programmes for the local population and in the country's school syllabus. 

EDUCATIONAL PROGRAMMES
Lectures on the permanent collection and on major changing exhibitions with audio-visual back-up facilities.

(Reservations for school/group tours must be made at least one week in advance of the visiting date).

- Art classes, craft workshops and demonstrations for
children and adults conducted by working artists. (In preparation).

- National travelling exhibitions supported by lecture series and audio-visual back-up facilities. (In preparation)

OPENING HOURS
9.00 am to 6.00 pm Monday to Thursday
9.00 am to 5.00 pm Friday to Sunday

Gaya Cafe Lounge
Comfortable leather armchairs surrounded by beautiful objects and works of Art, often affectionately referred to as an "Alladins Cave".
A lovely terrace garden where you can sit or stretch on a lounger and watch the world go by.


Fine dining whenever you want to eat out in Senegambia.  
A unique Gambia restaurant for both Gambian and global cuisine.
Come and enjoy our restaurant in The Gambia!
Directions Bertil Harding Highway, next to Senegambia Craft Market 
220 4464022
220 6664022
gaya@qanet.gm
gayagambia@gmail.com
http://www.gayaartcafe.com/

Friday, April 9, 2010

Mama Africa Art Gallery

The Mama Africa Art Gallery, located in Batokunku Village, Kombo South, is run and coordinated by Isha Fofana, a renowned female Gambian artist, and her husband, Bern Axe.
 The art gallery hosted the first ever Women's Museum established in the history of The Gambia's Arts and Culture industry. The million dalasi museum was opened few months ago by Fatou Mass Jobe-Njie, the minister of Tourism and Culture, on behalf of the vice president of the Republic of The Gambia and minister of Women's Affairs, Aja Dr Isatou Njie-Saidy.

The Tourism and Culture minister was accompanied by senior government officials, Momodou Joof, the director of the National Centre for Arts and Culture (NCAC), among others. In addition, the Women's Museum hosted an International Women Arts Exhibition held from the 8th to the 16th of March 2010. This rare exhibition brought together four top women artists from the Federal Republic of Germany and a total of 22 renowned artists sent in their products for exhibition at the museum.

The Arts and Culture desk officer last week made a short visit to the Mama Africa Art Gallery and was taken on a conducted tour by the proprietor, Isha Fofana, across the length and breadth of the gallery. The most striking aspect of the tour covered the inside view of the Women's Museum, where different artifacts that got there root from centuries of our traditional norms and values could be seen hanging on the walls, hangers displayed on the floor, some products contained in special containers for preservation of the spirit of arts and culture in the country and beyond.

Another interesting site of the gallery is the workshop that is located right at the far end of the compound, where training is offered to children and other potential artists on different skills. Trees and plants of different species could also be seen scattered in the garden. These trees and plants are used for healing numerous ailments. The set up of Mama Africa depicts a pristine natural environment where virtually everything is made out of traditional and natural products such as wood.


Fine dining whenever you want to eat out in Senegambia.  
A unique Gambia restaurant for both Gambian and global cuisine.
Come and enjoy our restaurant in The Gambia!
Directions Bertil Harding Highway, next to Senegambia Craft Market 
220 4464022
220 6664022

Friday, October 30, 2009

Contemporary Gambian Art


Lemonfish Art gallery is hosting exhibitions on Contemporary African Art, painting, sculpture and objects.

The first exhibition featured 28 artists from West Africa. Contacts have been made to work with artists and institutions in other African countries and in Europe.

We intend to run workshops for students and artists that include video and media presentations to provide inspiration and broaden views.

Special holiday workshops for guests are also available.

We hope to contribute to the cultural understanding of our visitors by giving them the chance to appreciate original works of art in undisturbed surroundings and engage in dialogue with local artists.

We are looking forward to receiving you here and sharing ideas with you.

Fine dining whenever you want to eat out in Senegambia.  
A unique Gambia restaurant for both Gambian and global cuisine.
Come and enjoy our restaurant in The Gambia!

Directions Bertil Harding Highway, next to Senegambia Craft Market
220 4464022
220 6664022
gaya@qanet.gm
gayagambia@gmail.com
www.gayaartcafe.com/

Saturday, October 3, 2009

Gaya Cafe Art Review


The art scene in The Gambia is vibrant, colourful and always fascinating, there is a wide pool of artists representing different disciplines, here are a taste of Gambia's creative talent.
 



A Gambian painter working with plastic art, oil and canvas.











Original Gambian batik and tie dye work by one of the leading proponents of this African craft.






Enjoys depicting his surroundings with elements important to his culture such as cowry shells, sand, and pigments that he creates from tree bark and plants.





Paintings, sculptures and art made in Gambia by Pepe Gomà. Son of Torrelameu. 










Momodou describes his artwork as an exploration of images that inculcate a system of values that are consistent with his culture and heritage. His objective is to take the viewer on a spiritrual odyssey that suggests unseen dimensions.







A locally based artist living in Bakau.

Fine dining whenever you want to eat out in Senegambia.
A unique Gambia restaurant for both Gambian and global cuisine.
Come and enjoy our restaurant in The Gambia!
Directions Bertil Harding Highway, next to Senegambia Craft Market
220 4464022
220 6664022

Sunday, September 27, 2009

Gambia Artist Momodou Ceesay


Momodou describes his artwork as an exploration of images that inculcate a system of values that are consistent with his culture and heritage. His objective is to take the viewer on a spiritrual odyssey that suggests unseen dimensions.

ON MY KNEES BEFORE THESE MIGHTY HEAVENS
It is seldom in the world of words, and in the world of visual art that the two distinct expressions of creativity are combined to put forth a powerful and moving story; a story of an African man's spiritual journey, a poetic odyssey called "On My Knees Before These Mighty Heavens"

In 1990 Momodou spent some time in New York creating designs for a greeting card company called Heritage Collections. During this period he worked with the homeless and visited the Bowery Mission often. He was inspired from this experience to write this epic poem.

 The work uses excerpts from Hebrew Scripture and the Koran to describe the searching of a better life for African and African American people. Momodou Ceesay adds to the virtual reality of the story line by delineating the poem with 36 of his original paintings. Some of these paintings for the book were executed during his stay as an artist-in-residence at the Center for the Arts and Religion, Wesley Theological Seminary in Washington, DC.


In this book, the protagonist, Issa Kujabi, in righteous indignation, seeks an audience with God, in order to lament about the condition of his people. The book speaks of social injustice, the coldheartedness of the ruling elite in Africa; the phenomena of Africa's current demise, all done with poetry and art.


 "Through a dialogue, the poem begins with the particular destruction, genocide and suffering of African people and of their descendants in the diaspora. The scope is then widened to include the negative forces that seem to grip the planet as a whole. It moves from despair to vision as the dialogue progresses, endingg with a revelation giving reasons for suffering, and what the future holds for Africa and the world as a whole"


Fine dining whenever you want to eat out in Senegambia.  
A unique Gambia restaurant for both Gambian and global cuisine.
Come and enjoy our restaurant in The Gambia!
Directions Bertil Harding Highway, next to Senegambia Craft Market
220 4464022
220 6664022

Friday, September 18, 2009

Gambian Artist Njogu Touray


 In Trace of Old one is confronted with the monumentality of the ruins of the palace of Timbuktu. In the foreground the boulders are symbols of silent witness; the sky and sun testament to the unforgiving heat of the desert.


Seeing Beyond relates to the magnificence of the grand baobab tree also bearing silent witness but harboring a diviner at its core. This revered sage is symbolized by the all seeing eye, an important talisman in the Moslem faith, and cowry shells. Not only are cowries symbols of economic value, but they are used by the healer to read the future and divine the path a follower should take. In both paintings one feels the harshness of the terrain through Njogu’s use of natural colors. Touray lives and works in Banjul, The Gambia.

Fine dining whenever you want to eat out in Senegambia.
A unique Gambia restaurant for both Gambian and global cuisine.
Come and enjoy our restaurant in The Gambia!
Directions Bertil Harding Highway, next to Senegambia Craft Market
220 4464022
220 6664022

Monday, September 14, 2009

Gambia Artist Buba Drammeh

Buba Drammeh is a talented batik artist from The Gambia. His batiks have been incorporated in the design for the CD "Mansalou", featuring the kora playing and singing of Jali Sherrifo Konteh.

Batik is a way of decorating cloth by covering part of it with a coat of wax and then dyeing the cloth. This process is usually repeated several times, using different dyes, until the final effect is achieved. The waxed area keeps its original colour and when the wax is removed the contrast between the dyed and undyed areas makes the pattern. During the dyeing the brittle nature of the dried wax will cause it to crack, allowing small quantities of dye to penetrate to the cloth. The resulting spider-web pattern adds an unplanned and interesting effect to any design and is a special characteristic of most batik work.

Buba normally buys his cloth, which is usually white or a very light colour, from the town of Serrakunda. He buys whatever amount of cloth he can afford, together with the dyes, salt, caustic soda and wax crayons.



Then he cuts the cloth according to the size of the pattern he has decided to draw. He spreads the cloth flat and draws straight onto the cloth (which is always 100% cotton) using a crayon which is not the same colour as the first dye. If the same colour were to be used the pattern would not been seen when it came out of the dye


He then melts the candle wax and uses a small stick with wire wrapped round it, called a tjanting, to dip in the wax. The wire will hold the wax and will permeate and seal the parts of the cloth it covers so that the dye cannot penetrate. He paints the melted wax onto the parts of the cloth he wants to remain white.

Next he prepares the dye-bath, mixing the salt and caustic soda with the dye powder, using gloves to protect his hands from the caustic soda. The soda and salt helps to fix the colour to the cloth. The first colour will be the lightest colour he wants to use. He then puts the material to dry but has to take care not to leave it in the hot sun for too long as it could melt the wax!


When the cloth is dry the wax is melted again and those areas that are to retain the colour just dyed are covered with wax, and the material is dipped into a dye of a colour darker in tone than the first. This process continues until the darkest shade (black) has been reached. There are usually five or six colours in the final batik, including the original white of the material and the final black. Since the colours are superimposed in the dyeing process, a particular colour-scale must be planned. For example, if the first colour was blue, then yellow could be used for the second dye and that would make green, or red to make brown.

Finally Buba buys firewood and builds a small fire to boil water, soap and salt together in a big container and the boiling water will take the wax out of the cloth. Then it is washed and ironed. The ironing will remove any final small particles of wax from the material. He has no electricity so the iron is a flat iron that holds heated charcoal in the top.



Buba syeas he gets the ideas for his designs from he said that he likes to promote the traditional African way of life. Things that his forefathers would also have done, such as hunting, fishing and pounding (rice and other grains), and also scenes of life in a compound or traditional musicians such as a kora , balafon or djembe player. He has also heard stories from his mother and grandmother, perhaps about an animal, and he will draw that, so, as he says, "Children can come and say, oh, look these animals are existing in The Gambia." He also gets ideas and colour schemes just by "looking at what is around me". This of course, includes the Baobab tree, which can live for hundreds of years, and is a very important tree in The Gambia. People depend on it for food and for cures and many believe it has magical properties.

Buba Drammeh was born at Nuimi Nemakunku village, in the Upper Nuimi district on North Bank. His father's name was Saikou Ba Drammeh, who was a hunter. He died very early but Buba has been told that he was a hunter of crocodiles and other creatures. His mother's name is Jankang Nass, now married again and living in Nuimi Lamin where Buba now lives with his wife, three children, adopted nephew, parents, sisters and other friends. There is a large and very productive vegetable garden which is run as a co-operative by all the hard-working women.


Fine dining whenever you want to eat out in Senegambia.  
A unique Gambia restaurant for both Gambian and global cuisine.
Come and enjoy our restaurant in The Gambia!
Directions Bertil Harding Highway, next to Senegambia Craft Market
220 4464022
220 6664022

Friday, September 11, 2009

Gambia Artist Papa Alassane Gueye

I call myself a visual plastic artist, painting with oil and canvas. I have a good imagination, creating interpretations of contemporary Africa as my living. This Papa Alassane Gueye surrealist is a thought outside of the real life.

 
 
 
 
 
Fine dining whenever you want to eat out in Senegambia.  
A unique Gambia restaurant for both Gambian and global cuisine.
Come and enjoy our restaurant in The Gambia!
Directions Bertil Harding Highway, next to Senegambia Craft Market
220 4464022
220 6664022
gaya@qanet.gm
gayagambia@gmail.com
http://www.gayaartcafe.com/

Sunday, September 6, 2009

The Sacred Forest Baobab Forest

Makasutu a 500-hectare piece of bush in the Kombo central district of the republic of The Gambia is deemed by some to be a devil's home. They say he is there in the form of a ninkinanko or dragon, and protects the hidden crown and clothes of King Jatta from Busumbala who was killed 200 years ago by the Muslim king Kombo Silla on his way east to take over the country. Jatta's men took the crown and clothes and placed them for safekeeping in the area of Makasutu, now known as the Big Forest.

This skyline of ancient baobab and strangler trees looms over the eastern end of Makasutu and is now under the self-imposed guardianship of Echin, a Jola tribesman.The devil is not the only presence there to ward off encroaching. Along with him are jinns and giants -- spectral creatures that straddle animism and Islam.


They help watch over an Edenesque orchard, which is thought to appear to those with a purity of heart trekking across the land. Mandingo tribesmen tell you in ominous undertones that you can eat the fruit of the orchard while you are in the forest but can never leave with it.
When the Islamic wave came down through the Sahara in the 12th century it gave Makasutu its name, and greater protection from the men who wanted to ravage the bush of timber and wildlife. It became a place of prayer, and so a Mecca (Maka) in the forest (sutu).
It was strictly protected by local kings and marabouts who said that no tree could be felled or animal hunted in the sacred grounds. The land until the turn of the century was used only for godly communion.

Men prayed and boys recently circumcised in the name of Allah were brought to bathe in Mandina Bilon -- a tributary of the main Gambia river that lies five kilometres to the north.
The Bilon brings fish to Makasutu as the tide swells; from its sandy banks grow thick lines of mangroves, and from their grey tentacles the Koran women collect oysters.


As the 20th century moved in Makasutu with its untouched supply of wood and wildlife became a new mecca for the people of Kembujeh and neighbouring villages.  It was on the verge of being stripped bare, when in 1992 Lawrence Williams,an architect, and James English, an engineer, came across the land and decided it would make a perfect location for a retreat and oasis for overlanders coming down off the Sahara.
They bought the land from the Sanni family who had ancient ownership rights, and after eight years of fencing and planting thousands of trees the land once again has found a protectorate.Makasutu has become a model for ecotourism in Africa.
Local women continue to grow crops on the western portion, and oyster women come and collect as ever, but now the birds are returning in droves to the trees and baboons stop at the safe haven on their migration route.
Momadou Jeeba, a Jola tribesman, has been manager at Makasutu for the past seven years and revealed that long before Williams and English arrived he and others had dreams that two whites would come by river and settle at Makasutu and keep it from harm -- a myth that has now turned into reality.


Fine dining whenever you want to eat out in Senegambia.

A unique Gambia restaurant for both Gambian and global cuisine.
Come and enjoy our restaurant in The Gambia!
Directions Bertil Harding Highway, next to Senegambia Craft Market
220 4464022
220 6664022
gaya@qanet.gm
gayagambia@gmail.com
www.gayaartcafe.com

Friday, July 24, 2009

Press Release


The Gaya Art Cafe in Senegambia is a magnificently decorated treasure trove showcasing a beautiful collection of African artefacts and work from local crafts people.
It doubles up as a cafe-restaurant serving tapas, healthy salads and delicious freshly baked bread, perfectly complemented by a superb selection of freshly ground coffee beans from around the world.


SN BRUSSELS IN-FLIGHT MAGAZINE
Directions Bertil Harding Highway, next to Senegambia Craft Market
220 4464022
220 6664022
gaya@qanet.gm
gayagambia@gmail.com
www.gayaartcafe.com/

Wednesday, June 24, 2009

Gambia Based Artist Pepe Goma

During a trip to Gambia, the luminous landscapes impresse me, and I was also surprised by the color and brigthness in this country. Since those days I have lived in Gambia. My work consist of searching for the perfect blend between the African and European schools, looking for natural textures, obtained using dyed sand, fusing the drawing, the painting and the sculpture. I am, also, a founder and president of the Gambia Taekwondo association.

 
 
 
 





Fine dining whenever you want to eat out in Senegambia.  
A unique Gambia restaurant for both Gambian and global cuisine.
Come and enjoy our restaurant in The Gambia!
Directions Bertil Harding Highway, next to Senegambia Craft Market
220 4464022
220 6664022
gaya@qanet.gm
gayagambia@gmail.com
http://www.gayaartcafe.com/

Wednesday, July 2, 2008

Gambia Based Artist Akin Toyinbo

Once again my profond gratitude to these special people without
whose support this artistic journey will not be possible:-- Akin Toyinbo.


 
 

Come and enjoy our restaurant in The Gambia!
Directions Bertil Harding Highway, next to Senegambia Craft Market
220 4464022
220 6664022
gaya@qanet.gm
gayagambia@gmail.com
http://www.gayaartcafe.com/